unlike the champions league, indie e-book publishing just gets better & the future is bright & bountiful
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« “It was better for me when I could imagine greatness in others, even if it wasn’t always there,” said Charles Bukowski, a generally cranky writer not renowned for his optimism. According to my analysis of the astrological omens, this strategy will also work wonders for you in the coming days. Trying to see what’s great about other people will tend to activate your own dormant greatness, and will just generally make you feel good. So ask yourself: What’s beautiful, smart, interesting, and successful about the people you know? Fantasize aggressively. »
by robert breszny, free will astrology, oracle for capricorn week 5 may 2011
BEATE SIGRIDDAUGHTER: THE HUNTER AND THE UNICORN
Remember u can be whatever u want inside your dreams, but also remember someday you’ll have to wake and face reality, which gets even harder once u r so into fantasy!
by Darryl Price
It’s not about the lasso. That’s so easily dangerous and
Petty. Instead it’s always going to be about you learning
To accept and respect what awesome powers it represents, that
It’ll so quickly place into your sore and bleeding hands
Like crushed ice. It’s an immediate, felt responsibility. There must
Ever be striking the cold clang balance between what usage
Does while in your care to yourself and what changes
It may bring forth in all others just as it’s
Finding fashion for justice or for ill—because you’ll likely
Strum along with your own body in motion. And that
Will have its own lingering consequences for answering for the
Rest of your life; a mission you’re expected not to
Survive. But the grand mystery of things has never been
Solved to my own personal satisfaction. I believe there’s every
Chance you’ll find a lasting Grace with which to walk.
DP
Not on the mouth, I tell him. I don’t know where your feet have been.
I thought we agreed, dip then lip, Fly says.
My research of foot-and-mouth disease says we need a dip of two parts bleach to water.
But Harold’s gone green and thrown out all our cleaning supplies, I explain.
…
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Pocket Sometimes a snake passes that is the length of a street. It is made from shadows. The poison that seeps from its skin sets whom it contacts into a dreaming where tiny suspended fragments from bluegrass songs dissolve in drops of water that coalesce in the air. Absorption gives way to countless pinpoint views of a river on which a dory hovers in a glass surface stillness. The same tiny view is everywhere repeating. The air is paper rubbed on asphalt, porous and collapsing. As I peer into a pinhole I expand it: a side-effect of focus becomes the frame that I step through. Then all that remains of the border is white tracery decay. The dory and the river it’s on disappear into the glass surface stillness. Maybe this is what poison does, stuffs you into a pocket and leaves you there.
no. 2
Sonnet On Approaching Italy by Oscar Wilde
I reached the Alps: the soul within me burned,
Italia, my Italia, at thy name:
And when from out the mountain’s heart I came
And saw the land for which my life had yearned,
I laughed as one who some great prize had earned:
And musing on the marvel of thy fame
I watched the day, till marked with wounds of flame
The turquoise sky to burnished gold was turned.
The pine-trees waved as waves a woman’s hair,
And in the orchards every twining spray
Was breaking into flakes of blossoming foam:
But when I knew that far away at Rome
In evil bonds a second Peter lay,
I wept to see the land so very fair.
an italian villa retreat in the countryside of tuscany
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Conductor’s Note: The following flash fiction was originally published at Mel Bosworth’s Flash Fire 500 in 2009.
Jessie wasn’t the best of readers, but he decided he had to give it a whirl. On the train last week, he’d fallen in love with the literate look of the woman who, with her nose in a novel, ended up sitting across from him. That afternoon he went out and swiped the first book he saw.
The next morning at precisely 8:22 he boarded the train, took his seat across from The Reader, as he now called her, and opened his book to page 103 where he imagined a love story called The Readers in Car 103:
“Good morning,” he’d greet. Or maybe just “Hiya.”
“Good morning,” she’d reply. And she’d smile.
Jessie, however, couldn’t muster the courage to greet. Thrumming fingers on page 103, he drank in The Reader reading. Her eyes, lowered to the book in her thinly veiled lap, were lashed half moons in the window of Jessie’s night train. Her hands, vanilla Dreamsicles dripping on her cornflower-blue dress, dog-eared her sticky pages.
He missed his stop and dropped his book. The moment he reached to retrieve it, The Reader crossed her legs and moaned “Oh God!” A heady breeze of blood powdered Jessie senseless for a page, but he recovered and returned to The Readers on Car 103:
“I love you,” he’d confess. Or maybe “Let’s fuck.”
“You’re worthy,” she’d say, wiping the drool from his lower lip.
But Jessie was neither romantic nor crude, so he continued to catalogue The Reader’s every freckle and curve. Sweat drops at her temples glistened like intellect. Four lines on her forehead outed a serious, experienced soul. Her strawberry mouth puckered a thousand silent kisses towards the words on her page.
Hungry for the letters of her lap, Jessie’s lips parted, mimicking each buss. The faster she gobbled, the faster Jessie mime-gobbled. But try as he might, he could never taste the words on her pages 168, 169, 170 …
She smacked her book shut and looked up.
Jessie’s shocked eyes shot holes through page 103. He felt The Reader’s eyes caress and crawl in and out of him. She’d see he was stout, bearded, blond and nothing if not a devoted reader. She’d surely notice the literariness in his book, House Plants for the Homeless. She’d sense his smell: the earthy, bacterial Renaissance Man. If she was smiling when he looked up, he’d have to wolf her down.
With a coquette’s eye-batting gentleness and the courage of a bear, he raised the windows to his soul and gazed into hers. Then, like a sudden sea mist, came the burning realization, the unbearable pain. He pinched his eyes and regretted the misreading.“I’ll spray you again!” a woman’s voice came. “Someone get this smelly creep off me, or I’ll fuck him up good.”
Christopher Allen’s fiction and non-fiction have appeared in places like (and very much unlike) Wilderness House Literary Review, The Legendary, and BootsnAll Travel. He rides the train every day and writes about his obsession with traveling at imustbeoff.blogspot.com.

This is a ball of faint white lines. This is a cut paper world populated with transparent creatures and tiny sounds that drift down silver and turning and fine. This is networks of letters. This is a late night stillness made of cotton balls filled with helium and the giant wooden dinosaurs and plastic insects that hover in it. This is sightlines left by ghosts
-stephen hastings-king